after his first release on flash recordings together with daso on the night express ep, pawas is now back with his very own three-track ep on the label of koletzki & meindl. all tracks were created in pune in india, pawas’ hometown, and the ep is about three different characters. alicia, charlie and edward. each one of them has a certain distinctive vibe about them: alicia is deep and eloquent, edward is more hectic and restless while charlie seems the funky and witty sort. in terms of music, edward is carried on a powerful, deep synthie melody, a big breathing bassline and some great percussive clicks and clacks that turn into a slightly ravey minimal burner later on in the tune. very hot! edward is a little lighter and is pushed forward by a great funky melody that creates the perfect after hour moment. imagine yourself on the beach when the sun is coming up. alicia on the a side is a deeper, more housy affair has a melodic, percussive and detroity appeal. pawas has managed to create a very fresh and unique signature sound and with releases on squonk, connaisseur and flash records, 2007 seems to be the year for him.

incl fantastic groovin harada remix !! swiss american dj emerson has already built a considerable following within the dance community thanks to his dj sets and releases for esteemed labels like substatic, micro.fon, kiddaz.fm or klickhaus. on this 12inch he provides 9 minutes of mesmerising dance music somewhere between house and techno. in on remix duties is harada. he delievers rhythmically diverse modern techno funk that has this certain outstanding element of personality. he is working the original elements in a very creative and playfull way and things really get outta control when the chord hook drops in out of nowhere. wiggling hi tech funk with slick production skills and a great beat!

deadset return to front room with their third single tick tock from their album keys open doors. deadset set the bar impressively high. based on a simple sample sound taken from a grandfather clock that stands in the hall way of the studio where most of the album was written, this track perfectly illustrates the organic house feel that defines the deadset sound.the a side is a perfect late night/early morning dance floor session on wax. made for dancing, its heavy bottom end works perfectly with the vocal elements and grandfather clock to create a truly memorable piece of audio.the b side features the tough stripped back dub efforts of none other than man of the moment and reigning title holder of worlds biggest deadset fan, jesse rose. effortlessly powerful and designed for the heads down, hip wigglers amongst you.is it any wonder that djs like jesse rose, laurent garnier, dj t and switch all put their hands up in class when asked if they re dead certain about deadset.

sublimely deep late night groover >nightbird<. like stepping into an abyss, spongy kicks and thick, warm pads combine with ambient percussion and a bobbing bassline to create a track certain to immerse the listener in the lush fullness of the awesome production, completely captivating the crowd with its mesmerising spell

with their new album on its way, slyde offer up a hell of a taster on this release. highrise is an atmospheric and twisted outing for the duo, with a heavy dose of bleeps and squelches creating a certain festival charm. on the flipside get this good sees a moody bassline provide the backdrop for infectious synths and sassy vocals on. yet another finger lickin bullet

italian dj/producer remo is no newcomer to the international scene and to dance electric label, his black sabrina track was a massive hit throughout the hottest clubs worldwide. now he returns to huntemanns outlet presenting >mild steel< alongside his studio mate max cassan, and introducing a new project called: >sidechainers<. the title track is a huge arp-trenched killer with a big melody, stunning and spaced out efx and a certain dose of italo feeling. steel 24 on the flipside drives through the club like a heavy tank fuelled with acid. a big statement towards machismo and patriarchy – metaphorically spoken you know the deal ladies. remos music always has this special kind of presence and thats why we love it so much, ragazzi!

brill deep minimal detroit techno (dub) a la hardwax / basic channel... b2 track >minus< is actually a re-release from the 1998 >ll001< single, long out of print. since there was a steady (nearly monthly) request to make this track available again, it has been remastered and included to match the other tracks on this single. the aim of this release is to prove that a certain approach to composing and sequencing with particular sound can end in a timeless production. at the end of this process it should be standing against the times, playable in 1989, 1997, 2007 or still in 2020. individual production methods or media stay behind, as the artistic vision of shaping and mastering the sound come thru. already playing on heavy rotation in berlins clubs by local djs who got whitelabels or cdrs, this 12inch will once more become a classic to people who dont look for hype or trendy fashion but lasting sound quality.

tim wright comes on his tresor debut with a pure tresor-track, styled up with the voice of toastie tailor and a full-out rave beat on the aside. the flip comes more minimal with electro jazz tinges that pays a certain homage to the early minimal detroit soundmakers

most people need drawers to put names on styles, to define music to a short range of elements. those will have a hard time describing this new masterpiece by uk based dino lenny & simon duffy. combining units of minimal, techno, noise structures and a certain rave attitude at the peaktimes they really make ya feel lost in a positive way. who cares about styles when the result is working, and this combination sure does wether youre at a club or even looking for the perfect track to rock the open air season this year. yellow tail scores big time again with this underground peaktime burner! andrea doria twists the original into a more >electroish< direction. distorted leadsynths with strong mellos leave no choice but to raise the hands and celebrate electronic music the way it should be done, wild, obsessive and free from the daily worries. this is huge

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

big with aquaviva, oxia, huntemann , tuomas salmela from finnland is no stranger to the dance world. besides running his own phonogenic audio label, he still finds time to put out records on other labels like 2020 vision or get physical. his style could be described as scandinavian electro soaked housemusic – it always contains a certain dose of melody and rump- shakin drums. swedish taboo is his view on contemporary techno in the vain of border community or stephan bodzin productions……

this is a real bomb!the sounds used and the small vocal gymmic will remind you a certain time when the made in france titles ruled the dancefloors. however, the huge electro sounding will quickly make you return in 2007!so you can is a electro dance mix produced by the southern french label pokker music. it feels the summer and without any doubt will find a place in the middle of your classic dance tunes collection of vinyl very quickly.

this is not a house music album but it is certain to make you dance and the soul will definitely make you swing

this is not a house music album but it is certain to make you dance and the soul will definitely make you swing

the 4th release on john henry come from the label boss himself: zoo brazil. everybody knows zoo brazil from various releases on many many labels including music for freaks, get physical or harthouse… bitch boys is their latest elaboration of electronic dance floor dynamite… synthetic dance music with fierce basslines, simple synth licks and kool drum programming with a certain dose of funk. digital garage culd be the name of the game!

the country of the rising sun brings us four pressure - loaded tracks from the artist keisuke kondo and the axis tokyo - berlin goes into a further phase. 2 sides 2 views. the first two tracks are the berlin side of keisuke. pkg und eboy are massive tunes with reduced basslines and shorted spooled sounds which moves into the depth of consciousness. eboy builds it self verse whistling with the certain humor up in order to induce one to the internal. with digdag we are movin to tokyo a tool for every ekg which breathes with the pushing pulling sounds and however with the certainty lofi presenting the living digital time. downtown tokyo becomes conscious with the track zoomin – the tarmac_the_humans_the jungle. driving whipping with the trigger like spoiled pitch which pushes one through the masses. bleeps and freaks simple technoid minimal reduced

phenomenale 4 track ep mit melodischem electro bis zu krassem electro punk!!

rmxs by krikor, pep gaya & tomas jirku the eight reference from the klitekture catalogue presents a work from the founder of the label, lod, that comes with a good critics since >sabado gris<, the original composition from this maxi was nominated as best track at the qwartz awards in paris on march of 2006. there is no doubt that we find lod with sabado gris in a great creative moment that he uses to offer a singular and emotive track, that plays with the repetitions of certain structures as well as he does with our emotions, the subtile melodies bring a great amount of serenity to the good listener

señor villalobos is back again on playhouse so roll out the red carpet for his >fizheuer zieheuer< monster which is no longer than 37 minutes!!! of course we had to divide it into 2 parts to bring it on the vinyl, but it still is a wicked tune. its around for a while now and a special secret weapon in ricardo s sets all over the world, causing mayhem wherever he plays it! 100% pure hypnosis, this track plays with certain sounds that you would not really expect from this minimal master in the first place... but it s the way he s using these east european horns which is done so well and their integration in the beats that makes the track so exciting

the newest release from german native stefan riddel is a smooth infusion of pulsating techno trance and deep tribal flavours certain to leave a lsting effect on a diverse range of dancefloors..

bugz in the attic release the second single from the inspired debut album back in the dog house,a live favourite and deftly handled cover of yarborough and peoples 1980 bassline heavy dont stop the music. bugz, pioneers of deep and dirty dance music, brought a brimming confidence along with the experimentation of their debut, which glistens with stone cold funk, boogie and disco but remains resolutely contemporary thanks to their immersion in club culture and the broad pool of guest vocal talents at their disposal. for dont stop the music former basement jaxx collaborator sharlene hector was given the task of re doing a bugz favourite, and the result is an out and out west london bruk up twist that takes the basslines from p funk, the soul of the original and a certain pirate radio grit and delivers the very essence of bugz.

this 12 kicks off with jam 2 tha mother,a track that has been doing the rounds for a while as a westpark unit track apparently. its a fairly nice hiphouse bumper.its all about miles though. the looped piano sample works wonderfully well with the straight deep disco beats. and while the original is good, the soulphiction remix is the icing on the cake. they give it a certain industrial/techy edge, and make the sample stand out even better. add to that some dope detroit beatdown bass licks and beats, and you ve got yourself a catchy tune

berlin team of dave shokh and holgi star are back with a cool house long player for the masses. remix courtest of the ultra hot agaric (we are, aka patrik skoog) begin with gathered clicking percussion built with high pitched stabs and reversed flicks. lirum builds ontop of itself as the snare punctuates the groove as the bell rises. a galloping invasion of sounds going from your brain wide into your feet. you will dance and feel good. yes. agaric does not hold back. the funk is dripping. a rolling tight groove filled to the top with hits and drum flips. just wait as he teases before the bassline appears and off we go. madness for the dancefloor?!? for certain!

"aaltopiiri is an album filled with alluring, ambient frequencies and hypnotic rhythms. tracks like kone and kierto stutter and groove, while elsewhere aanipaa and liuos provide lush, addictive pulses. they are often asked what the track & album titles actually mean when translated into english, but as they often invent or combine finnish words the "definitions" become quite vague. for example, a legendary maybe mythological low creeping mist from a particular area of finland or, a variant technological term for a certain aspect of a early radio wave experiments."

super new twelve from the idjut boys label feature the bass heavy one sider from lindstrom & prins thomas called >ballerina<. the flip slide is beautifully blissed out stuff with a track from arsenal (oooer!) feat jhelisa called >far i have come< and a track by mudd who have previously released tracks on noid recordings called >blue river<. cottage number five doesnt disappoint, it s like a certain machine you can buy in japan that helps you unwind. next twelve features a double a-side with tracks from spurs called >ossie s dream< (dan and connie cottage reconstruction) and west ham s infamous <i am forever blowing bubbles> (idjut boys re-edit)

nice price deal !!! nice price deal !!! sony bmg artist gets to grips with the darkness latest chart hit the result is a cool and electronically charged romp thats certain to get the dancefloors rocking

second in the series of limited disco re edits from a certain mellow house producer you cant go wrong with the originals of either of these tracks especially with the cowbell prodded synth riff of the classic dyson track originally from 1982 on the flip the rare disco congo from a 1977 westbound lp with a memorable bassline reminiscent of the o jays for the love of money before the track heads off to trinidad for a steel band breakdown

the a-side of his new release, a minimal-moover with a certain progressive touch, brings the necessary portion of darkness to the dancefloor, whereas the hypnotic pendant >minority existence< with its 303- bassline screws into every convolution of the brain.. techhouse with a strong crossover-appeal, exciting and adult, contemporary but although full of personality, thats the sound of electribe !!

two mixes on this remake of a tune by a famous jazz singer....produced by a certain man we know, who wants to remain nameless, this soulful 12inch has two mixes - a soulful house groove and a more garage-type roller on the b-side. pure summer-bliss. hit!

come together - the whos is who of the legendary indie dance szene in the beginning 90s !

alternative rock , nice price

incl 16 page booklet

new album ezechiel pailhes

expanded 10th anniversary double cd edition of gil scott-herons last studio album.

makaya mccraven re-imagines the last album from gil scott-heron.

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

extraordinary pieces of music have long stood in direct correlation to the physical surroundings that inspire them. when oliver koletzki and niko schwind packed up their berlin studios last april to spend a month locked away in a cottage nestled in the stunning nature of cape towns noordhoek area before heading to afrikaburn, little did they know that its long beaches, dramatic mountain views and the heritage of its indigenous people would have such a profound effect on the club-ready sound they had championed with a string of eps and live-performances since 2015. the result of four weeks of geo-cultural stimuli and creative experimentation culminated in the album noordhoek, released in may 2018 on stil vor talent. while the productions on noordhoek display the same on-point sound design of previous oliver koletzki and niko schwind releases, the impressive emotional depth and electronic floor-focus of its twelve tracks effortlessly merge with complex rhythmic textures to form a contemporary narrative on ancient dance rituals. after a roller coaster ride through twelve versatile yet coherent productions, one thing is certain as the ultimate crack of thunder crashes down on noordhoek: south africa fuelled the creative energy of two remarkable musicians, who where able to translate the abundance of their impressions into a truly original world of sound.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

ab syndrom, the berlin duo, is coming with their third album. plastik is a bit like the coming of age album of the band. it tells stories of growing up emotionally and being played into a hard and post capitalistic environment. nevertheless you will find some quite romantic lyrics and songs between lyrical metaphors and a rough and urban reality in berlin neukšlln, their neighborhood. the music on plastik is mainly a percussion driven and electronic laden journey. not your average pop arrangements but subtle compositions and laid back vocals with a certain chopped and screw twist. the bands musical projection is a most consequent advancement of their three albums and their body of work so far. bennet seuss, singer and composer is defining his own style in writing autobiographic lyrics with a certain twist to the obscure and umtransparent. a great album for sure. tracklist cd keine geister feng shui patchwork waterboarding u8 ffm fake starring contest 2009 hattori hanzo schwert deephouse und tiefenrausch

re-issued again, with new liner notes. a wonderful, rare record wrapped in a mysterious yet playful ambiance. or maybe it s just the impression that the japanese language often gives me. suiren is an odd jazz-fusion-wave tune that sounds like its boiling, waiting to burst but somehow manages to stay in control. like the nervous tick of a leg fidgeting under the table of a restaurant on a first date. yasuaki shimizu is a japanese composer, producer and saxophone player born in 1954. he worked with ryuchi sakimoto on certain arrangements, with the south korean artist nam june paik on art+sound installation pieces and even dj towa tei (of deee-lite fame). suiren was released in 1981 and is the opening title on the sought-after kakashi album and is my personal favorite on this overall brilliant record. it weaves behind new wave, jazz, fusion, ambient and experimental music.

dj-mixes often do little more but keeping up a certain mood. to establish a mood like this, masterful sven vŠth only needs a couple of moments. but this is it not enough for the inimitable dj from frankfurt am main. vŠth wants to introduce us to an entire world of electronic sounds. the music is an end to itself, yet at the same time, it is more: vaeth employs it to express his passion for the whole scene, to tell about the adventures he has experienced traveling, about his love for his friends, his children, his girlfriend and particularly to his fans all around the world.

itÕs already been 5 years since the last zombie zombie album rituels dÕun nouveau monde, after which the group explored other territories by signing 2 film scores, namely loubia hamra by narimane mari and irrŽprochable by sŽbastien marnier, as well as creating the music accompanying a contemporary circus show called slow futur created by martin palisse and elsa guŽrin. wouldnÕt these beautiful parentheses make you want to return to the sources? after 10 years at versatile records, 2017 also marks the decade anniversary of the release of their first album a land for renegades in 2007, at the time considered to be one of the 10 best albums of the year according to rough trade. livity - zombie zombieÕs latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist philippe druillet, who is also the founder of the cult mŽtal hurlant comic series. the title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at the famous island records compass point studio in the bahamas.

aus gro§en melodien und strapazierfŠhigen elektronischen teppichen gestrickt, ist -love what survives- gewisserma§en die essenz ihres bisherigen schaffens, indem verschiedene gesangsgŠste und musikerpersšnlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-†berlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks entstanden grš§tenteils auf zwei vintage-synthesizern (korg ms-20, korg delta), die beide, so die band, diese -punkige, schloddrige qualitŠt hŠtten, die an robert wyatt erinnert-, die mit ihrem industrial-einschlag und dem unverkennbar direkten sound mount kimbie zu ihrem neuesten sound-update bewegen sollten. der pulsierende motorik-beat der single -blue train lines- zum beispiel schickt king krule direkt auf die †berholspur, von wo aus er seine zerklŸfteten vokalsalven abgeben kann. die offene, ausladende aura der platte ist ferner der tatsache geschuldet, dass sie zwischen london und los angeles entstanden ist, zwei standorten, zwischen denen das duo pendelte, um gemeinsame sessions zu veranstalten und ideen zu verfeinern

dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesnt disappoint. the mix comes as a double cd and triple vinyl release and features four exclusive tracks. these include a brand new original from dj tennis featuring fink and called certain angels, plus new tennis versions of tunes by pole and frank brettschneider, and finally an unreleased track, paratrooper, from acclaimed tel aviv duo red axes. in programming these two diverse, eclectic and yet coherent rides, dj tennis shows off his singular knack for nailing an aesthetic that is subversive yet seductive in equal measure.

island people is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and dj graeme reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years. being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: Òduring the whole creation of the album, we never realized our actions were quickly leading us into forming Èisland peopleÇ, we were too busy having fun, making music and sharing ideas.Ó the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, Èisland peopleÇ is a pure listening record in the best tradition of ambient.

it is a great album! it sounds like he had passed through my lessons. (tony allen) although i did not think deeply about it but i felt that a certain time had come for me and i decided to produce my solo album. it was 20 years since i first started playing drums and since then, out of all the brilliant artists who live in japan that i played with, i wanted to freely enlist players who i really wanted to create music with. the initial catalyst was my strong yearning, wanting to know, what sort of creativity would result, if i produced my own album.

soul jazz records are releasing tee macs night illusion, a lost classic nigerian afro soul meets disco boogie funk album originally released in nigeria in 1980 as a private-press release of 1000 copies on the enigmatic artists own label. impossibly hard to find, the record remains practically unknown outside of nigeria.

those of a certain vintage may have a soft spot for global underground s after hours series, which promised to soundtrack -the party after the club- by joining the dots between woozy progressive house, deep techno, electronica and, of course, ambient. some eight years after the last installment, the long-running club brand has decided to re-launch the series. apparently, this latest installment took a year to put together, and featured tweaked, edited and gently reworked tunes layered up for a more enjoyable listening experience. musically, it sticks to similar territory to previous installments, updating the sound a little via tracks and remixes from ewan pearson, lawrence, scuba, matrixxman, michael mayer and joris voorn.